Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts

14 May 2008

Describing: Pascal Dangin


Dangin is on the short side, with a scruffy mustache and finger-in-the-socket frizz. He maintains the hours of a Presidential candidate; lately, he is a little tubbier than he would like. He was wearing, as is his custom, an all-navy outfit: New Balance sneakers, ratty cords, woollen sweater with holes in the armpits. He is not immune to the charms of things—he owns an Aston Martin, along with houses in Manhattan, Amagansett, and St. Bart’s—but, for someone who can pick apart a face in a matter of seconds (he once, apologetically, described his eyes as “high-speed scanners”), he is remarkably free of vanity.

—Lauren Collins, in "Pixel Perfect," a profile of Pascal Dangin, the world's foremost retoucher of photographs, in the May 12th issue.

[Extra: An example of Dangin's work, on the model who "needs the least help."]

25 May 2007

Dept. of Boredom and Desire

Once again, James Surowiecki is writing things I already knew but hadn't got around to saying. This week, in "Feature Presentation," he argues that we consumers habitually choose electronic devices that have many more features than we want or use, and that, after the blush of first contact, we grow bored with them. Our addling by gizmo he calls "feature creep," and he describes it this way:

"...fifty-button remote controls, digital cameras with hundreds of mysterious features and book-length manuals, and cars with dashboard systems worthy of the space shuttle. This spiral of complexity costs consumers time, but it also costs businesses money."

Side note, James: "Spiral," unless you're talking about footballs, confuses me. If your fortunes are spiralling, which way are they going? "Either way," says the OED:

spiral, v.
a. intr. To wind or move in a spiral manner; to form spiral curves.
b. To fly an aircraft in a spiral path. Also with down, downwards.
c. fig. To move rapidly in one direction (usu. upwards), in a manner considered to resemble a spiral; to increase or decrease in response to the same movement of another quantity or other quantities. Cf. sense 2d of the n. above.

I've got a Sony-Ericsson that cost me something like 400 bucks when I bought it in Taipei, three years ago. The only reason I got it was that the PVC-skirted saleswoman in the FarEasTone was keen to sell me one of their house-brand phones (the telecommunications equivalent of Safeway-brand corn flakes), and I was keen to show her I wasn't gullible. So I bought a 400-dollar phone.

Its features have come back to earth since, but at the time it was flash. I had Bluetooth, for sending anonymous messages to intriguing strangers (never happened); Internet at my thumbtips, for those formerly unproductive cab rides (never happened); and the ability to shoot videos. The latter was cool exactly three times: in Bangkok during Songkran, when I filmed some girls dancing on a loudspeaker; here, when I witnessed a "near plane crash" (YouTube commenters can be so cruel); and here, when comic-relief Taeho came to my ESL class with a fresh perm.

The picture is poor because the camera lens has been damaged in my pocket—three years' of rainwater, chewing-gum residue, key scratches, and coin thrashings. The phone now sits on my bedstand, uncharged and alone. I'm going through a Luddite phase.

Cell-phone designers, if you're listening: I'd like something indestructible, in brushed aluminum, with great reception. I'm tired of designed obsolescence and "#" buttons that stick. I don't need photographic capacity, video games, or DJ-mixing programs. Make it like a Zippo lighter—something that warms against my leg, something I can spin on a table.

13 April 2007

I went to my first ballet

Yesterday, on the very day I was carping about men's clothing with Stephen Connolly, an invitation to the ballet flung me into the great generational sartorial divide—What belt goes with what?
Me, showered, in a navy suit and white shirt: "Help, everyone, I'm a little confused about belt selection."

Girlfriend, on the phone: "Don't listen to your father—black never goes with blue. Wear the oxblood belt and shoes."

Father, truculently: "If I took you to any men's shop in the city in a blue suit and that belt, they would think you'd walked off a farm."
The ballet? A thrill ride for the ages.

The clothes? I split the difference—black belt and oxblood shoes—and tried to keep my jacket buttoned. Wrong, I know: you shouldn't compound error with indecision.

I'm leaning toward dressing the way that young women prefer it, but I think it may set a bad precedent.

Glad for any guidance here.

(JJB Photo: "Bag.")